Back to article list
English (Australia)

Why does your English always sound a bit... 'off'?

Share article
Estimated reading time 5–8 mins

Why does your English always sound a bit... 'off'?

You've been studying English for yonks, you've got a decent vocabulary, and you've got loads of grammar rules down pat. But when you open your mouth, why does it always feel like you're a robot, missing that natural human touch? And why do even native speakers reckon it sounds a bit 'off'?

The problem probably isn't about the fancy words you're using; it's more about how you structure the 'time' elements in your sentences.

It's a bit like watching a movie. Some directors can tell a story that really grabs you, while others leave you scratching your head. The difference is that a good director knows how to arrange the 'time' shots.

Today, we're not going to drone on about boring grammar rules. Instead, let's chat about how to speak English like a 'good director'.

Nailing a Sentence in English is Like Being a Good Director

When a good director tells a story, they'll always make three things crystal clear:

  1. How long did this scene go for? (Duration)
  2. How often does this scene pop up? (Frequency)
  3. When did the story happen? (Time – When)

The adverbs of time in English sentences play the role of these three 'shots'. And the reason native speakers speak so fluently and naturally is because they have an unwritten 'director's rulebook' in their heads for arranging the order of these shots.

This rule, believe it or not, is pretty simple.

The Director's Rule for Time: First 'How Long', Then 'How Often', Finally 'When'

Remember this golden sequence: 1. Duration → 2. Frequency → 3. Time (When)

This is the core secret to getting that natural 'flow' in English. Let's look at a few examples:

Scene One: Just 'Duration' and 'Frequency'

I work for five hours (How long) every day (How often). I work five hours a day.

Check it out: First, you say 'how long' (for five hours), then 'how often' (every day). The order's dead clear.

Scene Two: Just 'Frequency' and 'Time (When)'

The magazine was published weekly (How often) last year (When). This magazine was published weekly last year.

First, you state the 'frequency' (weekly), then pinpoint the 'story context' (last year).

Scene Three: All Three Shots in One Go

Now, let's tackle the ultimate boss level. What if a sentence has 'duration', 'frequency', AND 'time (when)' all at once?

No worries, just apply our director's rule:

She worked in a hospital for two days (1. How long) every week (2. How often) last year (3. When). She worked in a hospital two days every week last year.

Does that make things click? When you arrange the time elements in the order of 'How long → How often → When', the whole sentence immediately becomes clear, punchy, and sounds super natural.

Make 'Time Feel' Your Second Nature

Next time you open your gob to speak English, don't stress about those complicated rules anymore.

Ask yourself: "As the director of this sentence, how can I arrange the timing to make my story clearer?"

  • First, film the duration: How long did this thing go on for? for three years, all day
  • Next, set the frequency: How often does it happen? often, sometimes, every morning
  • Finally, pinpoint the 'when': When did it all happen? yesterday, last month, now

Of course, even the best directors need to practise in real-life scenarios. When you're chinwagging with mates from all corners of the globe, this 'director's mindset' will come in handy. If you're after a low-pressure practice ground, you can give Intent a burl. It's a chat app. Its built-in AI translation can help you smash through language barriers, letting you focus on 'telling a good story' instead of stressing about using the wrong words. When you're having a natural yarn with real people, you'll find that arranging these time elements just becomes second nature.

From today, chuck out the rote learning. Learn to think like a director, and you'll find your English won't just be more accurate, it'll also have more soul.